{"id":2034,"date":"2025-06-20T12:23:49","date_gmt":"2025-06-20T10:23:49","guid":{"rendered":"https:\/\/vincentbernhardt.org\/de\/?page_id=2034"},"modified":"2025-06-25T12:22:26","modified_gmt":"2025-06-25T10:22:26","slug":"torelli-2","status":"publish","type":"page","link":"https:\/\/vincentbernhardt.org\/de\/diskografie\/torelli-2\/","title":{"rendered":"Torelli: Manuscript Trio Sonatas"},"content":{"rendered":"\n<p class=\"has-medium-font-size\">Diese erstmals aufgenommenen handgeschriebenen Triosonaten spiegeln Giuseppe Torellis barocke Fantasie und Erfindungsgabe wider. Sie zeigen eine wenig bekannte Facette des Werks des Meisters aus Bologna, der zunehmend als ein Vorl\u00e4ufer erscheint, der eine f\u00fchrende Rolle bei der Entwicklung der Instrumentalmusik spielte.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/vincentbernhardt.org\/wp-content\/uploads\/2025\/06\/IC060-Couv-600-dis-2.jpg\" alt=\"\" class=\"wp-image-2373\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Einzelheiten:<\/h2>\n\n\n\n<p>Jahr: 2025<\/p>\n\n\n\n<p>Label: <a href=\"https:\/\/indesenscalliope.com\/boutique\/manuscript-trio-sonatas\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ind\u00e9sens Calliope<\/a><\/p>\n\n\n\n<p>Werke von: Giuseppe Torelli, G. C. Arresti, G. P. Colonna<\/p>\n\n\n\n<p>K\u00fcnstler:<br>Vincent Bernhardt, Cembalo, Orgel &amp; Leitung<br><a href=\"http:\/\/chapellesaintmarc.com\" target=\"_blank\" rel=\"noreferrer noopener\">La Chapelle Saint-Marc<\/a><br>Sue-Ying Koang &amp; Jasmine Eudeline, Violine<br>Jean Halsdorf, Cello<br>Parsival Castro, Theorbe &amp; Gitarre<\/p>\n\n\n\n<p>56&nbsp;min &#8211; 26 Tracks<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Verf\u00fcgbar bei:<\/h2>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.qobuz.com\/fr-fr\/album\/manuscript-trio-sonatas-vincent-bernhardt-la-chapelle-saint-marc\/w3mmec37zohoa\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Qobuz<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.kulturkaufhaus.de\/de\/detail\/ISBN-0650414766162\/La-Chapelle-Saint-Marc\/Unver%C3%B6ffentlichte-Triosonaten?bpmctrl=bpmrownr.1%7Cforeign.516539-1-0-0\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Dussmann<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.amazon.fr\/Manuscript-Trio-Sonatas-Vincent-Bernhardt\/dp\/B0DK7NG1Y9\/ref=sr_1_1?dib=eyJ2IjoiMSJ9.rLhmBJ4TobwwbmWBrUNFlMjYiwOtLyjNy1T-ciZocH6p6s2Mym0mcU0isFJY0kUNV155cq6i_I68g-WCHrOsCBJWoswV-6fsS01_gXA2JJkhACvvLvftMbu2Nj_70h6MeylnzTUE__0O4XDRoIn6NcdBX44Aw8ySPKa_pTsV9vE.EOkm2sR7g6ereOZtCpfDiUmnGVzRQVpcge4yWzJKlxg&amp;dib_tag=se&amp;qid=1750414027&amp;refinements=p_32%3AVincent+Bernhardt&amp;s=music&amp;sr=1-1\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.amazon.fr\/albums\/B0DN6VQN8F\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_lgabUFu9UiEgg4CkCUipkEXO1bqOFAwbs&amp;si=q7RX5VF_DtUi4VWk\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--6\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_kb3mTqfSylYaxEexqYnF3-xlRIiMVeqlA&amp;si=TwleX2SgZoxsvamV\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--7\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.apple.com\/us\/album\/manuscript-trio-sonatas\/1784459105\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Apple Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--8\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/open.spotify.com\/intl-fr\/album\/0xgCUJS8pcCLjmFdmeRZmj\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Album der Woche &#8211; RTS Espace 2 &#8211; April 2025<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201eZweifellos ist der Erfolg dieser Aufnahme auf die Virtuosit\u00e4t und das musikalische Gef\u00fchl der beiden Geigerinnen (Sue-Ying Koang und Jasmine Eudeline) zur\u00fcckzuf\u00fchren, ebenso wie auf die ebenso musikalische Intelligenz des Continuos, Jean Halsdorf (Cello), Parsival Castro (Theorbe Gitarre), Vincent Bernhardt (Cembalo).\u201c<\/p>\n<cite><strong>Jean-Marc Warszawski, <a href=\"https:\/\/www.musicologie.org\/25\/giuseppe_torelli_du_manuscrit_au_concert.html\" target=\"_blank\" rel=\"noreferrer noopener\">musicologie.org<\/a>, <\/strong>07\/05\/2025<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8222;Dieses Torelli-Album ist eine erfreuliche und wichtige Aufnahme, die einen wichtigen italienischen und barocken Komponisten wieder in den Vordergrund r\u00fcckt. Klasse!&#8220;<\/p>\n<cite><strong>Bruno Chiron, <a href=\"http:\/\/www.bla-bla-blog.com\/archive\/2025\/03\/25\/torelli-sonates-avis-critique-6538756.html\" target=\"_blank\" rel=\"noreferrer noopener\">Bla Bla Blog<\/a>, 25\/03\/2025<\/strong><\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8222;La Chapelle Saint-Marc zeigt eine echte Kraft, eine Dynamik, die an Virtuosit\u00e4t grenzt. Vincent Bernhardt zieht uns in einen wahren musikalischen Wirbelsturm&#8220;.<\/p>\n<cite><strong>Marc Laborde, <a href=\"https:\/\/utmisol.fr\/?article=1789\" target=\"_blank\" rel=\"noreferrer noopener\">Utmisol<\/a>, 19\/02\/2025<\/strong><\/cite><\/blockquote>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8222;Wie beim vorherigen Torelli-Programm wird man von der Sch\u00f6nheit der Farben, der Eleganz und rhythmischen Geschmeidigkeit des Ensembles und der Innerlichkeit der langsamen Bewegungen gefangen genommen. Ein neuer Erfolg&#8220;.<\/p>\n<cite><strong>Thierry Vagne, <a href=\"https:\/\/vagnethierry.fr\/nouveautes-vincent-bernhardt\/\" target=\"_blank\" rel=\"noreferrer noopener\">Musique classique &amp; Co.<\/a>, 15\/04\/2025<\/strong><\/cite><\/blockquote>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Ausz\u00fcge:<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Manuscript Trio Sonatas\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0xgCUJS8pcCLjmFdmeRZmj?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diese erstmals aufgenommenen handgeschriebenen Triosonaten spiegeln Giuseppe Torellis barocke Fantasie und Erfindungsgabe wider. Sie zeigen eine wenig bekannte Facette des Werks des Meisters aus Bologna, der zunehmend als ein Vorl\u00e4ufer &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/vincentbernhardt.org\/de\/diskografie\/torelli-2\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eTorelli: Manuscript Trio Sonatas\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":3,"featured_media":2035,"parent":849,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2034","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/2034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/comments?post=2034"}],"version-history":[{"count":3,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/2034\/revisions"}],"predecessor-version":[{"id":2191,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/2034\/revisions\/2191"}],"up":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/media\/2035"}],"wp:attachment":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/media?parent=2034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}