{"id":880,"date":"2020-07-08T21:44:15","date_gmt":"2020-07-08T19:44:15","guid":{"rendered":"http:\/\/vincentbernhardt.org\/?page_id=880"},"modified":"2025-06-25T12:16:28","modified_gmt":"2025-06-25T10:16:28","slug":"wtk1","status":"publish","type":"page","link":"https:\/\/vincentbernhardt.org\/de\/diskografie\/wtk1\/","title":{"rendered":"Bach: Das Wohltemperierte Klavier &#8211; Teil 1"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><em>Das Hauptinteresse dieser Aufnahme liegt wohl in der Verwendung eines au\u00dfergew\u00f6hnlichen Cembalos, das \u00fcber die \u00fcbliche Disposition von zwei 8-Fu\u00df- Registern und einem 4-Fu\u00df-Register hinaus auch ein 16-Fu\u00df-Register aufweist. <\/em><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"http:\/\/vincentbernhardt.org\/de\/wp-content\/uploads\/sites\/3\/2025\/06\/CAL2070-cover-600-dis.jpg\" alt=\"\" class=\"wp-image-1992\" srcset=\"https:\/\/vincentbernhardt.org\/de\/wp-content\/uploads\/sites\/3\/2025\/06\/CAL2070-cover-600-dis.jpg 600w, https:\/\/vincentbernhardt.org\/de\/wp-content\/uploads\/sites\/3\/2025\/06\/CAL2070-cover-600-dis-300x300.jpg 300w, https:\/\/vincentbernhardt.org\/de\/wp-content\/uploads\/sites\/3\/2025\/06\/CAL2070-cover-600-dis-150x150.jpg 150w, https:\/\/vincentbernhardt.org\/de\/wp-content\/uploads\/sites\/3\/2025\/06\/CAL2070-cover-600-dis-100x100.jpg 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Einzelheiten :<\/h2>\n\n\n\n<p>Jahr: 2020<\/p>\n\n\n\n<p>Label: <a href=\"https:\/\/indesenscalliope.com\/boutique\/vlavier-bien-tempere\/\" target=\"_blank\" rel=\"noreferrer noopener\">Calliope<\/a><\/p>\n\n\n\n<p>Werke von: Johann Sebastian Bach<\/p>\n\n\n\n<p>K\u00fcnstler: Vincent Bernhardt, Cembalo<\/p>\n\n\n\n<p>Doppel-CD<\/p>\n\n\n\n<p>Dauer: 1&nbsp;h 59&nbsp;min &#8211; 51 Tracks<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Verf\u00fcgbar bei:<\/h2>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.qobuz.com\/ch-fr\/album\/das-wohltemperierte-klavier-teil-1-vincent-bernhardt\/tiz2leg8111va\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Qobuz<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.amazon.fr\/Wohltemperierte-Klavier-Teil-Clavier-Temp\u00e9r\u00e9\/dp\/B08924D3XW\/ref=sr_1_2?__mk_fr_FR=\u00c5M\u00c5\u017d\u00d5\u00d1&amp;dchild=1&amp;keywords=vincent+bernhardt&amp;qid=1594209471&amp;sr=8-2\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.amazon.fr\/albums\/B08BS263T8\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/youtu.be\/srefYLtL91A?si=vTgBNWFCXWGc185d\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_mnP4fsQGO8hv36wSCgeWLYpplrICHFk6Q\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--6\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.deezer.com\/album\/156653032\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Deezer<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--7\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.apple.com\/gb\/album\/das-wohltemperierte-klavier-teil-1\/1520300548?uo=4&amp;app=music\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Apple Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--8\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/open.spotify.com\/album\/42KonSIU6x2sO5IFPDaoUA?si=KZ0gHwkxQi6L5s-fMlLigQ\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Nominiert f\u00fcr die ICMA Music Awards 2021 und f\u00fcr den Preis der deutschen Schallplattenkritik.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vincent Bernhardt - Bach - Teaser\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/GGLxwci67bw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Diese vier Saiten-Register \u2013 zu denen der Lautenzug hinzukommt \u2013 erm\u00f6glichen durch die Kunst der \u201eRegistrierung\u201c, d. h. die Art und Weise, wie die verschiedenen verf\u00fcgbaren Kl\u00e4nge miteinander kombiniert werden, ein breites Spektrum an Kl\u00e4ngen zu erzeugen. Diese Kunst ist eine der Grundlagen des Orgelspiels, und als Spitzenorganist ist Johann Sebastian Bach in seinem musikalischen Denken offensichtlich stark durch die Registrierpraxis beeinflusst worden. Daher wollte ich mich dem \u201eWohltemperirten Clavier\u201c n\u00e4hern, wie es ein Organist tun k\u00f6nnte, der sehr gern viele M\u00f6glichkeiten an Klangverbindungen und -farben zur Verf\u00fcgung hat.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201e<\/em>Das feurige und immer abwechslungsreiche Spiel des Cembalisten ist einfach ein Genuss.<em>\u201c<\/em><\/p>\n<cite>Alain Steffen, <a href=\"https:\/\/www.pizzicato.lu\/klangfreudiger-feuriger-bach\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pizzicato<\/a>, 09\/08\/2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201e<\/em>Man erlebt Bachs gro\u00dfartigen Zyklus ganz neu.<em>\u201c<\/em><\/p>\n<cite>Martin M\u00f6ller, <a href=\"https:\/\/www.volksfreund.de\/region\/kultur\/erstmals-eingespielt-bachs-wohltemperiertes-klavier-auf-einem-historischen-nachbau-mit-16-fuss-register_aid-52861193\" target=\"_blank\" rel=\"noreferrer noopener\">Volksfreund<\/a>, 19\/08\/2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201eein gelehrter, strenger Ansatz, aber auf Augenh\u00f6he [\u2026] Nur wenige andere Interpretationen reichen uns dieses gebrochene und sogleich geteilte, kommensalische Brot.\u201c<\/p>\n<cite>Christophe Steyne, <a href=\"https:\/\/www.crescendo-magazine.be\/integrale-en-cours-du-clavier-bien-tempere-une-approche-savante-severe-mais-a-hauteur-dhomme\/\" target=\"_blank\" rel=\"noreferrer noopener\">Crescendo Magazine<\/a>, 06\/10\/2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201eVincent Bernhardt zeigt eine unbestreitbare Autorit\u00e4t.\u201c<\/p>\n<cite>Philippe Venturini, Classica Nr. 225, 09\/2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201eBernhardt ist ein lebhafter Spieler. Er sucht nicht Ebenma\u00df oder strenge Mitte, sondern spielt rhetorisch-expressiv. [\u2026] 4\/4\u201c<\/p>\n<cite>Friedrich Sprondel, Fono-Forum, 11\/2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201eDurch Bernhardts philologisch fundierten und zugleich musikantischen Ansatz kann sich der Zyklus bei allem Reichtum im Detail doch in gro\u00dfer Geschlossenheit pr\u00e4sentieren.\u201c<\/p>\n<cite>Georg Henkel, Musik an sich, 2020<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">Ausz\u00fcge:<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Das Wohltemperierte Klavier, Teil 1\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/42KonSIU6x2sO5IFPDaoUA?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das Hauptinteresse dieser Aufnahme liegt wohl in der Verwendung eines au\u00dfergew\u00f6hnlichen Cembalos, das \u00fcber die \u00fcbliche Disposition von zwei 8-Fu\u00df- Registern und einem 4-Fu\u00df-Register hinaus auch ein 16-Fu\u00df-Register aufweist. Einzelheiten &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/vincentbernhardt.org\/de\/diskografie\/wtk1\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eBach: Das Wohltemperierte Klavier &#8211; Teil 1\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":863,"parent":849,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-880","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/comments?post=880"}],"version-history":[{"count":3,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/880\/revisions"}],"predecessor-version":[{"id":2185,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/880\/revisions\/2185"}],"up":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/pages\/849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/media\/863"}],"wp:attachment":[{"href":"https:\/\/vincentbernhardt.org\/de\/wp-json\/wp\/v2\/media?parent=880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}