{"id":905,"date":"2020-07-09T09:47:13","date_gmt":"2020-07-09T07:47:13","guid":{"rendered":"http:\/\/vincentbernhardt.org\/?page_id=905"},"modified":"2025-06-25T12:24:50","modified_gmt":"2025-06-25T10:24:50","slug":"vivaldi-concerti-da-camera","status":"publish","type":"page","link":"https:\/\/vincentbernhardt.org\/en\/discography\/vivaldi-concerti-da-camera\/","title":{"rendered":"Vivaldi: Concerti da camera"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">The panorama of Italian music in the first half of the 18th century: Vivaldi is in fact the only musician of this period to adopt the concert style and language in a chamber form.<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"http:\/\/vincentbernhardt.org\/en\/wp-content\/uploads\/sites\/4\/2025\/06\/CAL1852-cover-dis.jpg\" alt=\"\" class=\"wp-image-2168\" srcset=\"https:\/\/vincentbernhardt.org\/en\/wp-content\/uploads\/sites\/4\/2025\/06\/CAL1852-cover-dis.jpg 600w, https:\/\/vincentbernhardt.org\/en\/wp-content\/uploads\/sites\/4\/2025\/06\/CAL1852-cover-dis-300x300.jpg 300w, https:\/\/vincentbernhardt.org\/en\/wp-content\/uploads\/sites\/4\/2025\/06\/CAL1852-cover-dis-150x150.jpg 150w, https:\/\/vincentbernhardt.org\/en\/wp-content\/uploads\/sites\/4\/2025\/06\/CAL1852-cover-dis-100x100.jpg 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Details:<\/h2>\n\n\n\n<p>Year: 2018<\/p>\n\n\n\n<p>Label: <a href=\"https:\/\/indesenscalliope.com\/boutique\/vivaldi-concerti-da-camera\/\" target=\"_blank\" rel=\"noreferrer noopener\">Calliope<\/a><\/p>\n\n\n\n<p>Works by: Antonio Vivaldi<\/p>\n\n\n\n<p>Artists:<br>Vincent Bernhardt, harpsichord &amp; conductor<br>Il delirio fantastico<\/p>\n\n\n\n<p>Duration : 1h03 &#8211; 23 tracks<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Available on:<\/h2>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.qobuz.com\/album\/vivaldi-concerti-da-camera-il-delirio-fantastico-vincent-bernhardt\/on6o3eutvgkuc\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Qobuz<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--2\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.amazon.fr\/Concerti-Camera-Vincent-Bernhardt\/dp\/B07BZ4563T\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Amazon<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--3\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.deezer.com\/album\/63119952\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Deezer<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--4\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/music.apple.com\/album\/vivaldi-concerti-da-camera\/1381158131\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Apple Music<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--5\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/open.spotify.com\/album\/0EvjRq3IokLhxyPGkigoza\" style=\"border-radius:4px;color:#e7d3b1\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Il delirio fantastico : Vivaldi, Concerti da Camera\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/JWQ_keQNEKY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-drop-cap\">The term \u201cConcerto da camera\u201d, used to distinguish these works from those using a group of strings to form the ripieno, is not used by Vivaldi himself, who simply calls them \u201cconcertos\u201d. although they only use solo instruments (except the continuo) and thus differ from other concertos of the time by the originality of their instrumentation. The works titled &#8220;Concerti da camera&#8221; are however not rare in Baroque Italy, but are either chamber music pieces not adopting concertante writing, or concertos on the Corellian model using an orchestral tutti. &#8211; the term &#8220;da camera&#8221; referring to the style and not to the instrumentation. They therefore belong to a different genre from the one at hand, and are opposed, by their form resulting from the series of dances, to the &#8220;Concerto da chiesa&#8221; which is based on the alternation of slow and fast movements.<\/p>\n\n\n\n<p>Among the 21 Concerti da camera in the Vivaldian catalog &#8211; two of which are of questionable authenticity &#8211; wind instruments (flute, oboe and bassoon) largely dominate. The violin is no exception, and appears as a soloist or as an accompanist in almost all of these works. The variety of textures, the virtuosity of the different parts and the interchangeability of the roles of the instruments (melody, accompaniment, counterpart, etc.) make them both authentic pieces of chamber music and real concertos, closely related to the form of this genre and perfectly adopting the concertante language.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cA perfect tribute to the subtle writing of these concertos.\u201d<\/p>\n<cite>C\u00e9cile Glaenzer, <a href=\"https:\/\/www.resmusica.com\/2018\/07\/31\/les-concerti-da-camera-de-vivaldi-par-il-delirio-fantastico\/\" target=\"_blank\" rel=\"noreferrer noopener\">ResMusica<\/a>, 2018\/07\/31<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cThis delightful recording should win many friends.\u201d<\/p>\n<cite>Robert Hugill, <a href=\"https:\/\/www.planethugill.com\/2018\/08\/sheer-delight-vivaldis-concerti-da.html\" target=\"_blank\" rel=\"noreferrer noopener\">Planet Hugill<\/a>, 2018\/08\/29<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201cWinningly energetic and flexible readings of an attractive Vivaldi collection.\u201d<\/p>\n<cite>Remy Franck, <a href=\"https:\/\/www.pizzicato.lu\/pulsierende-vivaldi-interpretationen\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pizzicato<\/a>, 2018\/06\/18<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u201c&nbsp;Il delirio fantastico confirms his great affinity for Vivaldi [and] understands this music like few others. Great job!\u201d<\/p>\n<cite>Olivier Four\u00e9s, Diapason Magazine No. 671, 2018\/09<\/cite><\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">From the album :<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Vivaldi: Concerti da camera\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0EvjRq3IokLhxyPGkigoza?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The panorama of Italian music in the first half of the 18th century: Vivaldi is in fact the only musician of this period to adopt the concert style and language &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/vincentbernhardt.org\/en\/discography\/vivaldi-concerti-da-camera\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Vivaldi: Concerti da camera&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":929,"parent":849,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-905","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/pages\/905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/comments?post=905"}],"version-history":[{"count":3,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/pages\/905\/revisions"}],"predecessor-version":[{"id":2367,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/pages\/905\/revisions\/2367"}],"up":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/pages\/849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/media\/929"}],"wp:attachment":[{"href":"https:\/\/vincentbernhardt.org\/en\/wp-json\/wp\/v2\/media?parent=905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}